field: snowfall (aspect 1) (2019) is a soundscape composition created from a single, continuous six-channel field recording made during a January snowstorm in Orono, Maine. The recording captures sound from an area only a few meters across in the back yard of my house using a heterogeneous group of input devices: contact mics and hydrophones as well as standard audio microphones. The form of the piece is almost entirely inherent in the original recording; I applied only modest sound manipulation and mixing.